Here it is: The update nobody has been waiting for, nobody wants.
The ad industry has finally stopped running their disingenuous “We’re All In This Together” commercials, “pivoting” to equally disingenuous “We’re Back With You Together” commercials: ‘Isn’t it great you’re not dead? Now, buy our product’.
Brands have really exposed their stupid asses trying to show they “care” while simultaneously promoting themselves during a worldwide fucking catastrophe. The resultant commercials have been disgusting.
But: I try to find the not-absolutely-terrible in everything. So, I’ve collected a few ads from this year that at least didn’t make feel like a…
Thanks in very large part to social media, very few creatives think visually anymore, which is a damn shame. Because it is still inarguably the best way to create a great ad. And by “ad” I mean anything: Twitter/Facebook/Instagram/TikTok/whatever-the-fuck posts, TV, YouTube, pre-rolls, billboards, beer coasters, etc.
I’ve already written about the power of the “unexpected visual” for Digiday. But today’s digital creatives apparently haven’t learned a fucking thing about the creative process. Their idea of thinking visually is attaching words to a meme or using a cRaZy filter. This is not thinking visually, I’m sorry.
Creatives are now under…
(I was about to start this post last month when my best friend of 40 years was killed by COVID-19. It then went from the back burner to behind the stove, where it was partially eaten by large rats.)
Here’re are five of the worst ads from a shit-awful year.
Tits. What can’t they sell? Right, Nando’s?
KFC’s response: “We apologise if anyone was offended by our latest commercial. Our intention was not to stereotype women and young boys in a negative light.”
The horny young boy still (barely) alive in me was not offended. But it’s…
Nine ads. They are not “great” ads. I saw zero great ads this year. I also bookmarked about 20 better than average ads, but that’s “better than average” for 2020, which is just not very good. 2020 was the worst year in advertising creativity that I’ve ever seen (and that’s not just because of the Pandemic), and I’ve been doing this ad critiquing shit basically full-time for 15 fucking years. As long as somebody is willing to pay me to keep up with this stupid industry (thank you Resume Magazine, thank you great country of Sweden), I’ll keep doing it…
Lawyers loathe creativity because creativity means “unconventional” even “risky” thinking, going out on a limb. Corporate lawyers hate limbs.
Below are a hypothetical in-house lawyer’s responses to ad creatives in hypothetical internal tagline meetings. The lawyer’s counter-taglines are on the right.
LAWYER: What does “good” mean to you, dipshits? Well, to insurance customers, good means (makes air quotes) “fucking fantastic”. Are you comfortable with saying You’re in (makes air quotes) “fucking fantastic” hands? Didn’t think so…
For about 20 years — late 1930s to late 1950s — disembodied living human heads ruled over American print advertising. For celebrity endorsements, it was a way to get famous faces up big in the layouts. I tried and failed to find the person or agency that started this creepy ad technique. But they most certainly deserve a place in the Advertising Hall Of Fame.
I’ve seen hundreds of these ads in the last 15 years. These are the most disturbing.
On his way to becoming the 40th President, Reagan starred in a 1951 film where he tried to teach…
Fellow veteran creatives: how many stock photos have you looked at in your career? Tens of thousands? Hundreds of thousands? You know the mental pain of pathetically endlessly scrolling through absolutely awful images for clients who don’t want to pay for photo shoots. When you actually find a usable image, it’s fucking euphoric. These here are far from usable.
WTAF with this photo, “A man with two heads and no arms or legs sits in a chair. One head is asleep, the other stares into the camera.” Ehh, one set of nipples?
Writing good ads is not hard. You do not have to be a good writer to write good ads (See: Me). And yet there are many, many writers — many of them very good writers — writing ads who shouldn’t be writing ads. See below (in no particular order).
Water you saying, Dasani? Does the bottle say “water” when you open it? Does “Dasani” mean “water” in a language from another dimension? And anyway, shouldn’t it be “No other water says “Semen” quite like this water”?
2. Dior Sauvage (USA)
Ignoring the tasteless Native American appropriation…
Digital Marketers have rejiggered English. Why? Opaqueness. They need to make themselves seem like they know things you don’t (They don’t.). What better way to do that than to invent a sub-language, a language that takes existing words and uses them in new, befuddling “insidery” ways.
These newspeak-ers— compare to Communications “Guru” Stewart Pearson [above] from the hilarious British political satire show The Thick Of It — have a common favorite place to befuddle: the hallowed almighty Whiteboard. …
I watch ads. I watch (or look at) almost every produced (and fake) ad every year, year after motherfucking year. It is not a rewarding experience. This year was especially unrewarding. Creativity is losing the battle against Technology, against digital marketers who don’t know their ads from a hole in the ground, against “collaboration” ads by committee.
But! Every year, I find a few sparkling gems in the massive heap of advertising dung. Let’s celebrate rare wondrous Creativity, while we still can.
Pohjola Insurance (Finland)
Copywriter/Copyranter. My hockey wrist shot is better than yours.